Discovering a microphone that features your ability and imparts trust in your recording can be testing. The market is full of various voice-over amplifiers and everybody has an assessment of which ones are awesome. However, the question that often arises or pops up is how to choose the best microphone for voice-over recording.
When buying a microphone, there are various elements to think about. It includes your spending plan, the sound you need to accomplish, and the room you intend to record in. Well, as we know, this is the most asked question of all time by voice actors.
Microphones come in many shapes and sizes, but the most important thing when deciding which microphone to buy is what you want to record. For this list, we will concentrate on stylish microphones for recording voiceovers. In other words, a microphone is sensitive enough to pick up the complications of the mortal voice. In general, the most stylish microphones for this are condenser microphones. We have listed some of our top picks, plus a USB mic for good measure, all of which will work on any budget.
List of The Best Voice Over Microphones
1. Blue Yeti Pro - The Best USB Microphone for Voice Over Recording
First, we have a simple recommendation for many “audio quality” and “ease of use” concerns. Combined with beautiful workmanship and an affordable price, the Blue Yeti is the best USB microphone for voice-over. Yeti has become one of the most iconic USB microphones in the game and it will be for a while, but the ‘Pro’ version here is recommended for voiceovers as it offers USB and XLR connectivity and some of them have the highest quality audio available in a USB microphone.
The reason we recommend XLR to many speakers is the flexibility we get as we can connect it to an external preamp or audio interface. An extra “middleman” like this can give us more freedom to optimize the sound quality achieved, whether it be adding effects, gain, extra EQ, or a “feel” and “sound” that is not fed directly to a computer through a USB connection.
With respect to specs, the Blue Yeti USB Microphone Pro gives us a wonderful and walloping 24-digit/192 kHz sound goal, an underlying A-D converter (a preamp) on the off chance that you do without a doubt need the USB course, as well as four flexible example settings accessible — cardioid (suggested for voice-overs in a studio), omnidirectional, sound system, and bi-directional.
These can prove to be useful if you need to use this amplifier for different purposes also. This truly starts to expose what’s underneath on this one. Yet, our pick as the best voice-over receiver certainly goes to the Blue Yeti Pro.
Features
- Three custom condenser cases and four unique polar illustration settings: Cardioid, Stereo, Bidirectional, and Omnidirectional.
- State of the art-D motor chip and a separate, simple circuit way for use with complete plant blenders and preamps.
- Implicit earphone enhancer for zero-idleness monitoring, as well as direct controls for earphone volume, design selection, quietness, and receiver gain.
- 15 Hz-22 kHz rush response. 114 dB. Earphone amplifier signal to noise ratio: 114 dB. Sasquatch Prom is not suitable for both simple and motorized exertion at the same time. To guarantee applicable exertion, just affiliate the computerized (USB) or simple (XLR) connectors at some arbitrary time. If your Yeti Pro becomes inactive, simply turn off all connections for 10 seconds and reconnect your Yeti Pro to the best yield link.
- 192 kHz/24 number of samples/words. Restrictive case configuration to catch sounds with detail and vocalization.
Pros
- The general design is made of metal, and this gives it a strong base. It also goes on for quite a while.
- A feature is the top-class sound quality that these mics produce each and every time.
- With four polar patterns, the versatility of this mic is simply unbeatable. You can record anything with these microphones.
Cons
- It takes a while to set up as you need to set it up for both digital and analog mode.
- It picks up quite a bit of hissing noise.
- It is enormous when compared to the standard Yeti and other comparable models available on the market today at a comparable price range.
2. AKG Pro Audio C414 - Premium Voice Over Mic
If you’ve saved up and are looking for a mic that can do everything you need, the AKG C414 is another voice-over microphone for you. It’s well built, versatile, and produces a professional sound. It has nine effective pick-up patterns and multiple low-cut filters that give you more control over your finished product.
Features
- The sound person of the popular AKG C12 offers amazing sound quality for lead lyrics and lead instruments.
- Nine selectable directional rates for the ideal stage for every operation.
- Three degrees of decay (6/12/18dB) for close-ups or high-force sources up to 158dB SPL.
- Three distinct low-profile commutable channels to reduce wind noise, carry climate change, or closeness impact.
- Overburden notice with sound zenith LED to celebrate more limited sound pinnacles.
Pros
- The C414 can keep up with the exemplary sound for which the AKG C12 was well known.
- It includes a top-notch changing frame with LED pointers to warn you which polar illustration is on.
- The cardioid polar illustration accompanies extra-wide rudiments.
- The high-quality frill will be remembered for your bargain.
- Five distinct polar exemplifications with four unique intercross exemplifications to work in colorful situations.
- There are three distinct weakening situations for better solid control.
- A wide rush range guarantees you catch all the crafts from your source as they are created. This mic is intended to furnish you with the most extreme plumpness and linearity.
Cons
- LEDs aren’t extremely helpful for covert use during film and television operations.
- As it’s an exceptionally touchy amplifier, it can likewise catch any plant clamor. Along these lines, in the event that you do not have a sound-treated room, this mic is not the stylish choice for you.
3. Neumann TLM103 - The Best Budget Microphone For lead vocals
We should talk high-end briefly. For some purposes, Neumann is an extravagant brand, yet it has unequaled quality. If your spending plan goes into the large numbers, very few might apply here. This one takes the cake by a wide margin as an expert and lovely mouthpiece for voiceovers. Typically utilized for vocals in the studio, on the off chance that you have this terrible kid readily available for voiceovers, you’ll never need to stress over “quality” at any point down the road.
So what makes this voice receiver quite a lot more costly than the others? Without getting too specialized, everything’s in the interior form (and outside, obviously, considering we have tough packaging made of metal with a nickel finish). The hardware does not include a transformer, which aids in reducing self-commotion and increasing SPL. It additionally supports input concealment.
We could dive into more subtleties, but until further notice, simply know that the Neumann TLM-103 is the genuine article as the best voice-over mic amplifier in the event that you have a major financial plan.
Features
- Large-diaphragm microphone with cardioid characteristic Pressure gradient converter with a single diaphragm capsule.
- Transformer-less circuitry exceptionally low noise:7 dB-A It comes with a swivel mount.
- It is simple.to use for home recording and professional studios. High-quality professional equipment for limited budgets Support for shock is available separately.
- Accessible in silk nickel and matte dark.
- Conveyance includes an SG 103 turn mount.
- And wooden gem box Neumann receivers are a standard name at the top of the line.
- Recording studios all over the world deal with the expert touch required to record great sound.
- The TLM 103 is rapidly turning into the norm for home recording and the music business.
Pros
- Optimal amplifier for lead vocals.
- Extraordinary for acoustic instruments that should slice through the blend.
- Wide recurrence range.
- Incredibly low self-commotion
Cons
- Only one pickup pattern
- Lack of additional controls
- Expensive
4. Rode NT1A - Best Voice Acting Microphone
Here’s our popular and affordable studio-quality condenser microphone, the best voice-over microphone for voice-acting or any type of recording you can think of when it comes to warm, clear sound. It usually comes in a microphone package that includes a pop filter and shock mount.
With an expanded dynamic range and a high tolerance for sound pressure levels, we don’t have to worry about a lack of depth and the ability to deal with potential distortion. Inside is a JFET impedance converter, which definitely sounds fancy, but simply put, it is a higher quality internal structure to ensure the quality and conversion of your sound waves in your recordings.
If you can afford it, we’d prefer an XLR amplifier over a USB workspace mic, but in case you can’t, we ask that you continue to check out another less expensive option later.
By day’s end, nonetheless, the Rode NT1-A will be a wonderful amplifier that has a sticker price that actually makes us scratch our heads on occasion. An extraordinary receiver for voiceovers here, or any recording you can imagine outside of that, as well.
Features
- Large-diaphragm capsule powdered in gold.
- Cardioid polar pattern.
- Extremely low noise, with an inherent noise of only 5 dB (A)
- It contains a Rode SM6 shock mount, a pop filter, and a dust cover.
- Internal suspension of the capsule.
Pros
- It offers an amazing, unique reach.
- It is very flexible.
- Clean Studio Recordings with Excellent Sound Quality.
- There is no noise.
- It is worth the minimal price!
- Quite well fabricated and durable
Cons
- Its weight is high.
- It needs a decent preamp and a sound interface.
5. Sennheiser MK4
A step forward from the Rode NT1A is the Sennheiser MK4. This mic offers a wide, powerful reach and a brilliant tone at a reasonable cost. It’s assembled like a stone with a 24 carat gold-plated stomach and metal lodging, making it tough and dependable. It’s connected to XLR links, so you’ll need additional hardware with phantom power to make it work, but the sound quality deserves the additional arrangement.
Features
- Large (1″) diaphragm capsule.
- Real condenser design.
- 24K gold-plated diaphragm.
- Internal damping capsule to minimize frame-borne noise.
- Developed for project studios and stage use only
Pros
- It sounds great.
- Very easy to use
- Mac/PC compatible
Cons
- The look is not appealing.
- A bit expensive
Final Verdict on Choosing The Best Microphone For Voice Over Recording
If you’re starting out, don’t worry about buying the best mic. Instead, you can opt for an interface with built-in preamps. You can still make great voice-over recordings with its condenser microphone and audio interface preamps.
The most important thing when buying a microphone is not to make an impulsive decision. Take your time and test different microphones in the room where you are recording your voice-over. Look around you, do your research, read some samples, and hear what your voice sounds like.
Regardless of your budget, the best microphone for voice-over is always available. With these microphones and tips, you’ll be on your way to recording studio-quality voice acting in no time.
And if you want to add that extra touch to your recordings, you’ll need to spice them up with some royalty-free sound effects.